// 22 pages /////////////Dance, Performance, and Social Media (...) | Claire Bishop, 2017
// 22 pages /////////////////////////////////////// Decolonial reflections | Walter Mignolo, 2015
// 14 pages ////////////////////////////////////////////////////////////////////////////// Interview with Nile Sunset Annex , 2016
// 30 pages ///////////////////////////////////// Introduction: The Birth-Mark | Susan Howe, 1993
// 7 pages /////////// Our Book | El Lissitzky, 1926
// 16 pages ///////////////////////////////////// Thing 000955 (Martha Graham's Choreographies) | Agency, 2018
// 22 pages //////////////////////////////////////////////////////////////////////////// Times Square Show (1980) | Alhena Katsof, 2017
// 12 pages ////////////////////////The Grain of the Voice | Roland Barthes, 1967
// 6 pages //////////////////////////////////////////////////////Notes on Four Points of Foucs: Performance, Autobiography, Fiction, Media | Yvonne Rainer, (year?)
// 9 pages /////////////////////////////////////"I Power Blogger" an interview with Rick Silva (Abe Linkoln) of ‘Screenfull’ | Lauren Studebaker, 2017
// 22 pages ////////////////////////The Intentional Fallacy | Wimsatt & Beardley, 1946
// 8 pages //////////////////////////////////////////////////The Language of the Body | Kathy Acker, 1992
// 1 page /////////////////////////////////////////////////////////////////////////////////////////"Dearest progressive scan loading, on victim's of Broadband" an interview with Olia Lialina | Valeska k. Buehrer 2006(?)
// 36 pages //////////////////////// The Insistence of the Material: Theorizing Materiality and Biopolitics in the Age of Globalization | Christopher Brue, 2016(?)
// 16 pages ///////////Exparimental Writing in its Moment of Digital Technization: Post-Digital Liturature and Print-On-Demand Publishing | Hans Bajohr, 2017
// 25 pages ///////////The Magazine as Medium: ASPEN 1965-1971 | Gwen Allen, 2011
// 2 pages ///////////// Introduction: The Eternal Interet Brotherhood/Sisterhood | Klea Charitou & Angelo Plessas, 2018
// 14 pages ///////////////////////////////////// Avedey Ter-Oganyan, Toward the Object, 1992 | Ekaterina Degot, 2017
// 6 pages // Dialogue on The Dance and the Manner of Dancing | Thinot Arbeau, 1589
// 11 pages //////////// The Two Faces of Nostalgia (from Prespecta 48) | Karsten Harries, 2015
// 9 pages ////// "Realer than Real" Interview with Lil Miquela for Tunica Magazine | Katja Horvat, 2020
// 23 pages ////////////////// "Introduction: FRIENDSHIP OF NATIONS: Polish Shi'ite Showbiz | Slavs and Tartars, 2013
// 28 pages ////////////////////////////////////////// The Case of Trump and Brexit, from Para-Platforms On the Spatial Politics of Right-Wing Popiulism | Hannes Grassegger, 2017
// 24 pages //////////// Performance and Documentation: Acting in the Ruins and the Question of Druation | Rebecca Schneider, 2017
// 116 pages /////// Forever 21, 11th draft of process notes dealing with working in Times Square in | A Goodly Squire, ongoing
// 9 pages ////// "It's a Website: The Enduring Promise of Art Online | Cailtin Jones, 2018
// 9 pages ///////////////////////////////////////// Three Malaises, from The Ethics of Authenticity | Charles Taylor, 1991
// 5 pages ///////// Introduction: The Leviathan | Thomas Hobbes, 1651
// 78 pages ///////// Antigone | Sophocles, 5th Century B.C.E
// 9 pages ///////// Performance y Precariedad | Eleonora Fabiao, 2019
// 28 pages ///////////////////// more problems with form, or desire notes, or still woman | Lauren Bakst, 2018
// 4 pages ///////////////////// Private traits and attributes are predictable from digital records of human behavior | Michal Kosinski, David Stillwell, and Thore Graepel 2013
// 16 pages ///////////////////// Bad Oracle | Laurel Atwell 2020
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